Since 1967, Decock has limited his use of geometric forms to primarily the circle and the square. These are the two most essential forms in human imagination. Thanks to his exceptional compositional talent, he depleted these minimal forms in a vast multitude of variations. Together the symbols, the divine (the infinite circle) and the earth (the bounded square), act as figures in a spiritual dimension.
Gilbert Decock’s work consists of paintings, screen prints, collages, sculptures, reliefs and jewelry. He studied art at the Academy of Brugge. In 1966, he received the European Prize for Painting. In 1978 and 1987, a retrospective exhibition of his work was organised in Knokke. In 1980, he designed the piece ‘Isjtar’ (Ishtar) for the metro station Kunst-Wet in Brussel, Belgium. In addition, his work is present in the Belgian museums in Antwerp (Middelheim), Brugge, Brussels, Gent, Kortrijk, Oostende and Duinkerke as well as Maubeuge, France and Utrecht, the Netherlands.